Andrew Greenwood, Baritone
“Another discovery was the Amonasro of Andrew Greenwood. The young baritone from Vancouver’s voice has a seductive texture. His focused but nevertheless round sound had sufficient power and at the same time creamy elegance. He was able to manipulate Aida with an extremely refined and beautiful vocal sound.” Das Opernglas, February 2011.
Recent engagements include: the role of Amonasro in Aida for the Stadttheater Hildesheim, and the Stadttheater Wolfsburg, Germany; Frank in Die Fledermaus for Vancouver Opera; Zuniga in Carmen and The Doctor in Samuel Barber’s Vanessa for Pacific Opera Victoria; the title role in Rigoletto for the Stadttheater Hildesheim; the roles of Prince Yamadori and The Imperial Commissioner in Madama Butterfly for Vancouver Opera; the title roles in Macbeth, and Nabucco, Enrico in Lucia di Lammermoor, and Germont in La Traviata for Vancouver’s Opera Pro Cantanti; the role of the Emperor in Der Kaiser von Atlantis for City Opera Vancouver; the role of Count Almaviva in Le nozze di Figaro for Opera Kelowna and for the 2006 Okanagan Vocal Arts Festival; Marcello in La bohème for UBC Opera, the 2005 Okanagan Vocal Arts Festival, and for Vancouver Island Opera; Figaro in Il barbiere di Siviglia for Vancouver Island Opera; Danilo in The Merry Widow for Burnaby Lyric Opera; and guest appearances with UBC Opera in the title roles of Falstaff and Eugene Onegin.
Additional Canadian credits include appearances with: Pacific Opera Victoria as King Alonso in Hoiby’s The Tempest, as both Morales and El Dancaïro in Carmen, Angelotti in Tosca, Monterone in Rigoletto, and Baron Douphol in La Traviata; Burnaby Lyric Opera as Figaro in The Barber of Seville, Dandini in Rossini’s Cinderella, Malatesta in Don Pasquale, and Peter in Hansel and Gretel; and UBC Opera as John Proctor in The Crucible, Smirnov in William Walton’s The Bear, and Peter in Hansel and Gretel. Andrew has also appeared with other opera companies in the Lower Mainland, such as Opera Breve, Western Concert Opera, and Modern Baroque Opera.
Also in demand as a concert and oratorio singer, Mr. Greenwood frequents such works as Carl Orff’s Carmina Burana, Handel’s Messiah, Mendelssohn’s Elijah, Mahler’s Lieder eines fahrenden Gesellen, Beethoven’s Choral Fantasy and Symphony No. Nine, Dvorák’s Stabat Mater, Saint-Saëns’ Christmas Oratorio, the Bach Passions, as well as the Requiems of Verdi, Mozart, Brahms, Fauré and Duruflé. Some of the organizations he has sung with include: Virginia’s Opera Roanoke Orchestra, the Vancouver Symphony, the Victoria Symphony, Vancouver Cantata Singers, the Prince George Symphony, the Vancouver Bach Choir, Festival Vancouver, the West Coast Symphony, the Kamloops Symphony, Sinfonia of the North Shore, the Chilliwack Symphony, the Okanagan Festival Singers, the Fraser Valley Symphony, the Vancouver Philharmonic Orchestra, and the Vancouver Island Symphony.
In 2001 Andrew performed the role of John Proctor in the Czech Republic premiere of The Crucible, by Robert Ward. He then went on to debut the roles of Escamillo in Carmen and Germont in La Traviata at the Prague State Opera. Additional European credits include: the roles of Marcello in La bohème for Opera Studio de Genève, Switzerland, and The Ferryman in Benjamin Britten’s Curlew River in Lausanne, Switzerland and Cuenca, Spain.